While technically any literary suspense could be described as “narrative”, this refers to the tension that builds up throughout history. In narrative suspense, you pose a question, problem, or mystery at the beginning of the book, you share more about it as the plot progresses, and finish it near the climax or the end. Suspense is a state of mental uncertainty, anxiety, indecision, or doubt. In a dramatic work, suspense is the anticipation of the outcome of a plot or of the solution to an uncertainty, a riddle or a mystery, particularly with regard to a character with whom you feel sympathy.
However, suspense is not exclusive to fiction. Suspense is a literary resource that authors use to keep their readers' interest alive throughout the work. It's a sense of anticipation that something risky or dangerous is about to happen. The purpose of using this type of anxiety in literature is to make readers more concerned with the characters and to form a comprehensive partnership with them.
Therefore, the authors create scenarios that could force readers to understand and to want to continue reading to see what their beloved characters are up against next. A suspense is the reader's apprehension about the outcome of something. There are moments of suspense in stories, movies and other forms of entertainment. Narrative suspense, also known as long-term suspense, spans the length of an entire story.
Long-term suspense stories usually also have a subplot with suspense as a central element, which goes hand in hand and complements the main plot. Yanal's position is more radical and posits that the narrative tension that remains effective in true repetition must be clearly distinguished from genuine suspense, because uncertainty is part of the definition of suspense. In literature, film, television and plays, suspense is an important resource for obtaining and maintaining interest. Suspense is a sense of anticipation and anxiety created by a threat of danger, which becomes a dramatic climax.
Baroni proposes to name rappelling this type of suspense whose emotion is based on the audience's ability to perfectly anticipate what is to come, a precognition that is especially pleasant for children who are faced with well-known fairy tales. When you write a dreadful suspense, remember that you are creating an expectation and are fulfilling or subverting it. On the other hand, suspense requires more finesse, more skill and experience behind the camera if you stretch an elastic band until it is thin and brittle. If he swam to Amity immediately, there would be no suspense because he would be in direct contact with his target immediately.
However, the suspense doesn't have to end with a big release, it can go on forever, as long as the audience is left with doubts. Suspense is often genre-dependent and is used intentionally, mainly in the genres of thriller, mystery and horror fiction, although it is sometimes vaguely applied to other genres such as fantasy, romance or drama. Suspense can be created in a number of different ways and is often found in thrillers, mysteries, and horror fiction. Closely related to short-term suspense, horrible suspense is when the reader or audience expects something terrible to happen.
If it's obvious that no one will get hurt if a character dies and is shot off screen, then there's no real suspense (in most cases). This situation creates suspense in Tarzan's life and pushes readers to continue reading the story to discover what Tarzan and Jane will face in their lives.