Anything that keeps you in a state of waiting with enthusiasm (or nervousness) for something to happen is full of suspense. Thriller movies keep you on the edge of your seat. Suspense is a state of mental uncertainty, anxiety, indecision, or doubt. In a dramatic work, suspense is the anticipation of the outcome of a plot or of the solution to an uncertainty, a riddle or a mystery, particularly with regard to a character with whom you feel sympathy.
However, suspense is not exclusive to fiction. Suspense can be described as uncertainty about the outcome of something. Let's say you're reading an article about a man who has been stranded in the middle of nowhere for days without food or water and his last hope lies in his rescue dog named Sam, who has helped him find traces of food and water. Suspense has been described as taking place in the reader's mind and not on the printed page.
A complement to the suspense is an omen, as shown by the signs of national crisis or revolution in Isabel Allende's The House of the Spirits (1999). Waiting for the scary turn to take place at the end of a good book is full of suspense, and it can be suspenseful to watch someone open a huge birthday present. In literature, film, television and plays, suspense is an important resource for obtaining and maintaining interest. Suspense and suspense come from the old French word suspense, delay and a Latin root meaning to hang up or interrupt.
One of the reasons you might like to read thrillers is because they allow you to see all aspects of a topic or problem, rather than just one or the other. Omen can be used to create tension and suspense by referring to future events in history, such as the death of someone even before they enter the scene. When you add suspense to your script, you can choose to answer that question or keep it unanswered until the end of the story. If you want to create the kind of suspense where the reader wants to know how things are going to turn out, then you're trying to create narrative suspense.
Suspense occurs when the audience knows that something bad is about to happen, but doesn't know exactly when or where it will happen. If you want your reader to feel the suspense your character feels, then you're trying to create dramatic suspense. It's tempting to exaggerate the plot of the film because you want every scene to be exciting, but you need moments of stillness to create suspense. Baroni proposes to name rappelling this type of suspense whose emotion is based on the audience's ability to perfectly anticipate what is to come, a precognition that is especially pleasant for children who are faced with well-known fairy tales.
Cinema is a visual medium, but there are many ways to use suspense without having to resort to showing anything in particular. According to its true definition, suspense is an emotion experienced when you see or read something scary or dramatic, as well as an expectation or anticipation of something happening by the public (wikipedia).
Leave Message