DEFINITION OF SUSPENSE Suspense is a state of uncertainty or emotion regarding a specific outcome. Suspense is often accompanied by feelings of anxiety and anticipation. In storytelling, it's used to keep the audience deeply engaged with what's happening. This objection is based on the statement that normal people do feel suspenseful when they see Psycho for the second time, but one could simply deny this statement.
In the standard account, people feel suspenseful when they fear a bad outcome, expect a good outcome, and aren't sure what outcome will occur. The view of emotional misidentification holds that it is impossible for viewers who know the outcome to feel suspenseful, and the best explanation for public statements to the contrary is that viewers should confuse their real fear and anxiety with what they consider suspense. The problems with the four theories are diverse, but it's worth noting that a theory of suspense should be able to do more than simply provide a solution to the paradox of suspense; it should also be able to explain two additional facts. As such, repeaters may feel suspenseful because, even though they are trapped in the clutches of a story, they are unaware of the outcome.
However, in the absence of a phenomenal and clear distinction between the type of anticipation that viewers supposedly mistake for suspense and genuine suspense, we have reason to be suspicious. He maintains that, even when the stakes are high, if one actively works to achieve the desired result, there can be no suspense. However, if we rely on phenomenology, if we rely on the accounts of members of the public about what they feel when they watch Psycho, then we have additional reasons to reject the paradox assertion that suspense requires uncertainty. We must explain why Yanal and others think that it is unquestionable that uncertainty is necessary to maintain suspense.
He maintains that, since suspense requires uncertainty, the best explanation for any statement that the same film was equally suspenseful on the fourth, fifth or sixth viewing is that the repeat offender is confused and misqualifies his emotional response. To create suspense, it is enough to thwart the desire to affect the outcome of an impending event. This is where this editorial satire becomes an animated thriller, as Florence is forced to face the person she has become in her quest for fame.
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